July 21st, 2010

Why I love my RedRock Micro DSLR Rig

I’ve been using the RedRock DSLR Field Cinema Deluxe Bundle for both my work and for demonstrating in the Canon DLSR Boot Camps (www.canonbootcamp.com).  This is a shoulder-mount rig that holds allows you to shoot steady video, comes with a follow focus and is designed to be used with an external monitor.

Here are 5 reasons I love this rig:

1. Ergonomics – even with a full complement of accessories, the Deluxe rig balances well on the shoulder.

2. Ease of use – not only are the parts easy to put together, the rig can also be quickly mounted to a tri-pod for locked-down filming.

3. Quality fittings – RedRock is known for making quality parts that really feel solid. Because their gear is made of precision-machined aluminum I haven’t had any problems with plastic parts breaking or threads wearing out no matter how hard I work the rig.  Besides blue is my favorite color!

4. Adaptability – for example, with the addition of RedRock’s focus ring adapters, still lenses can be made to work with the follow focus.  Also for lenses like the new Zeiss CP.2s, you don’t have to run out an get a new follow focus because the on-board one works perfectly.  Also the rod system works with other manufacturers’ accessories.

5. Hack-ability – we were able to swap out the counterweights that came with the rig and mount a battery plate for Anton-Bauer batteries instead.  The battery is hooked up to the Marshall 7″, providing hours of use plus it eliminates the need for a batter pack on the back of the monitor. (RedRock offers a battery plate of their own design for the same purpose.)

Don’t take my word for it.  Go check out the rig for yourself or rent it for a shoot.

Snehal Patel
DP/Director

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July 20th, 2010

Latest DSLR Video on E! Daily 10 tonight!

A new video by SmoothE.tv and Fearless Productions. It will appear on E! Network’s “Daily 10″ show tonight 6:30/7:30 Central

Shot at The Association (www.theassociation.tv) with a Canon 5D MKII.  Who say’s you can’t do greenscreen with a still camera?  I filmed with good exposure and make sure the subject was in sharp focus by raising the ISO a bit so that I could stop down the aperature to 5.6/6.3.  We didn’t have much trouble at all knocking out the green in Final Cut using Primatte Keyer Pro.  I created all animation in After Effects and composited the layers in Final Cut.  Natress filters were used for the film look.

Snehal Patel
Director/DP

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July 15th, 2010

RED MX vs. ALEXA

This little video comes from good pal Rodney Charters, ASC. He’s comparing the output from a RED MX and one of the brand new ALEXA cameras from Arri.

Rodney’s Vimeo site: www.vimeo.com/user2543414

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July 14th, 2010

Redrock microRemote Preview

Can’t wait to try this new remote from RedRock Micro! These guys are always making waves with their cool products.

This is an introductory video of the microRemote wireless follow focus system, including microTape real-time rangefinder, basestation, and revolutionary microRemote with optional iPhone/iPod Touch visual interface.

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July 13th, 2010

New DSLR Web Commercial with Smooth-E

I shot and directed an online video about a fun game called Load Questions.

Thanks to the cast, crew and supporters.  We had a great time and I think it shows.

Snehal Patel

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July 13th, 2010

Finally! Audio for your DSLR with the Beachtek DXA-SLR

Beachtek ( www.beachtek.com ) was kind enough to send over a DXA-SLR active audio adapter for DSLR (and other) camera systems.  I hooked it up to a Canon 5D and a Seinheisser wireless to see how good the setup would perform.

The 5D has pretty decent audio recording capabilities – 48kHz 16-bit uncompressed.  The problem is that the on-board amplifier is weak, so if you send in low audio levels through the mic input, then you have to compensate by turning up the gain which causes noise in the recording.  The auto-gain function is even worse because it will just turn up the knob whenever the room is quiet.

The DXA-SLR sends in an amplified audio signal and is an active pre-amp and not just a passive XLR to 1/8th inch adapter.  That means it sends in a strong audio signal to the camera, letting you exploit the full capabilities of the DSLR.  Plus the little box has headphone monitoring, an auto-gain defeating circuit (great for 7D and 1D users), an LED readout to let you know when levels are strong (green) and when they are too high (red).  There are two XLR inputs and an Aux input, an output for the camera and phantom power for your mics.

I set my manual gain pretty low in my 5D, a bit under a 1/4 on the camera’s scale.  When I tested the audio signal, I was in the green both in my camera and on the DXA-SLR.  When I yelled a bit too loud, both the readout on the camera and the led on the box went red.  The audio over the headphones was superb and my test footage sounded great.

The little box comes with a mounting screw that can easily be engaged with a thumb-wheel.  You can mount it on the bottom of your camera or on a rig in a matter of seconds plus it doesn’t obstruct the battery compartment on the camera. I tried the box out on my RedRock Micro rig with a Marshall 7″ Monitor to see how comfortable it would be for someone filming reality or documentary to shoot like they would with a video camera.  My conclusion is that you can count on the DXA-SLR to give you the audio capabilities you are looking for in a professional system.

I’ll be demonstrating this and other great gear in-depth at my next Canon DSLR boot camp this Saturday, July 17th: www.canonbootcamp.com

Snehal Patel
www.FearlessProductions.tv

photographs by Tom Myrdahl of www.tommyrdahlhdvideo.com

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July 6th, 2010

Zeiss CP2 lenses reviewed

Zeiss was kind enough to send over a set of five Compact Prime Lenses with Canon EF mounts for evaluation.  They are meant for professional DSLR filming in HD.  The lenses are called CP.2 for short and MSRP is $3,900 for each lens.  The full set of seven lenses includes the following: 18mm T3.6, 21mm T2.9, 25mm T2.9, 28mm T2.1, 35mm T2.1, 50mm T2.1 and an 85mm T2.1.I decided to use the lenses for a web commercial I was shooting for a board game with comedian Eric Shwartz of www.smoothe.tv .  I paired them up with my Canon 5D and used the following setup to shoot: RedRock Micro shoulder rig & follow focus, Marshall 7″ HDMI monitor, Sachtler sticks and head.

The first thing you notice about these lenses is that they are all the same dimension and weight about the same (1 kg each).  That’s great for when using a Matt Box or electronic accessories on the lenses.  Also, the one thing that sets these lenses apart from the Canon still lenses is the geared iris ring which allows for smooth iris control.  Also the focus rotation is large, allowing for more precise markings and an easier time for the AC.

The lenses worked beautifully.  They covered the full frame of the 5D sensor and I could easily swap out from a 21mm wide to an 85mm for close-ups without having to adjust my rig at all.  Even the follow focus can be locked in place while swapping.  That’s so different from when I work with Canon L-series primes which are all kinds of different shapes, requiring different rings to work with my RedRock follow focus.

The image quality of the lenses is quite nice.  The sharpness and detail are great plus I didn’t see the lenses breathe at all when I racked focus – which was a concern with the Zeiss ZE series.  Also, I didn’t see any color aberrations or vignetting on the edges of the image.

Overall I am very pleased with the Zeiss CP.2 lenses because they provide a very cinematic workflow for the cinematographer and AC while being rock solid and precise.  I do recommend you check them out as an option to using PL mount film lenses on a converted 5D or 7D body.

I’ll post the web commercial once it’s online.

On-set stills courtesy of Tom Myrdahl of www.myrdahlhdvideo.com

Snehal Patel

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June 28th, 2010

Erika’s Call – scene filmed during Canon DSLR Boot Camp Level2

This scene was filmed by participants of the Canon DSLR Level 2 Boot Camp on May 29, 2010.

The boot camp is put on by The Association and instructed by Snehal Patel of FearlessProductions.tv

http://www.canonbootcamp.com

The video was shot on a mix of Canon 5Ds and 7Ds. One of the cameras used was a converted 5D with a PL mount and Zeiss lens provided by Hot Rod Cameras.

Audio was recorded in-camera using a mixer and Beachtek pre-amps. Marshall Monitors were mounted on a couple of Red Rock Micro shoulder-mount rigs for hand-held shots. In the opening sequence, we utilized a Micro-Dolly while the second scene was filmed with a Losmandy Port-a-jib. Manfrotto 6′ suction cups were used for the car mounts.

The Canon 5D and 7D footage was transcoded in Final Cut Pro using the EOS1 Plugin from Canon into ProRes422 files. Grading done with Magic Bullet Looks. Post completed by Snehal.

A special thanks to our DSLR partners who contribute products and services for our Boot Camps:
http://ProHDRentals.com
http://GreenScreenLA.com
http://LCDracks.com
http://redrockmicro.com
http://litepanels.com
http://zeiss.com
http://beachtek.com
http://canon.com
http://hotrodcameras.com
http://hoodmanusa.com
http://productionhub.com
http://digitalcinemasociety.org

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June 24th, 2010

Zeiss sent Compact Prime lenses for evaluation

Zeiss sent over a set of CP2 Compact Primes with Canon EF mounts for us to evaluate.  I’m shooting a commercial spot tomorrow and I will try these lenses on a Canon 5D.  The CP2s were designed for film-style shooting so they have film-style gears and focus markings, cover the full frame of the 5D sensor (no vignetting), are made in a cine style housing and connected to a EF mount, PL mount or F mount depending on your application.  Best of all, they are not that expensive compared to other quality film lenses.I’ll post my evaluation after the shoot and those coming to workshop on Saturday can see the lenses first hand: http://www.canonbootcamp.com

Snehal Patel

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June 23rd, 2010

Janina’s ‘Love Lockdown’ goes viral

Music video for Love Lockdown performed by Janina Gavankar.

Directors: Caitlin Pashalek & Ian Lyman
http://www.thedmp.com

D.P.: Logan Schneider
http://www.youtube.com/user/LoganSchneider

Ian says, “Shot in Los Angeles in early 2010 with Canon 5Dmk2 & 7D. Street stuff we used a doggiecam body rig.”

I’m really proud of these guys.  It’s a great looking video and Janina is awesome as usual.  Nice use of a body rig and also – did I catch a glimpse of Timo Chen bumping into Janina? http://t-monicmusic.com

Snehal

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